Tag Archives: Hotel

New designers and hotel brands

4 Jan

Hotels develop their own designer boutiques

By Lucie Greene

Published: December 23 2009 23:43 | Last updated: December 23 2009 23:43

Luxury resorts are fast becoming one of the best places to satisfy an interest in exclusive retail since a clutch of high-end hotels started to develop their own chic boutiques and initiate a number of designer collaborations.

 
 

Here are just some. Kanuhura, a hotel in the Maldives, has tapped women’s wear brand Issa by Daniella Helayel and beauty brand Miller Harris to create a range of unique products for its eponymous shop. Beachcomber hotels have teamed up with designer Melissa Odabash on a holiday collection, and will soon be working with the children’s wear designer Princess Marie-Chantal of Greece. And the Hualalai Resort on Big Island in Hawaii has created a $3m fashion store that currently includes branded T-shirts from designer James Perse and an exclusive dress collection from Derek Lam; next season, Philosophy by Alberta Ferretti and swimwear brand Eres will design lines. 

Then there is the One&Only group, which has opened two new-look boutiques at its Capetown and Maldives locations, both offering full ready-to-wear designs from Balenciaga, Marios Schwab, Matthew Williamson, Alice Temperley, Pucci and Missoni. The company also recently collaborated with lifestyle label Acne, shoe designer Christian Louboutin (who conceived a special collection of espadrilles), and celebrity pedicurist Bastien Gonzalez (who designed a red nail polish) on exclusive ranges. Kuoni, meanwhile, has collaborated with British designer Osman Yousefzada to create a travel collection, K by Osman, focused on locally sourced products.

Bev Malik, who worked with One&Only on their boutiques, explains the logic behind the trend: “Women and men love to shop on holiday, but you see these awful shops that you don’t want to buy anything from, yet you still visit every day. It’s a captive audience, and resorts are waking up to this. They’re offering fashion, but also product ranges that are exclusive.”

 
 

Indeed, cleverly edited fashion boutiques are proving to be a major draw for hotels. Isle de France, a small family-run hotel in St Barts, stocks Juliette Longuet, Lenny, and Tom Ford Sunglasses in its cupboard-size shop, and counts Uma Thurman, Heidi Klum, Daniel Craig and Giorgio Armani among its devotees. Similarly, Mexico’s Los Cabos resorts, including Palmilla and Esperanza, boast multi-brand boutiques that are hot spots for Hollywood stars. “For lots of celebrities, it’s the main reason they choose the resort,” says Malik. After all, shopping away from the prying eyes of the papparazzi is enticing. 

Patrick Fitzgerald, Chief Executive of the Hualalai resort, explains the appeal of their own high-quality boutique. “It fits with our guest profile. Our clients love good restaurants and good spas but they also love to shop.”

As for the designers involved, representation in the resort boutiques gives them access to wealthy consumers, and a brand presence in otherwise unexplored markets. “It’s a great way to access women who like to shop,” says Issa designer Daniella Helayel, who launched her Issa Holiday range at the Kanuhura resort in November (prices from £248). “You strengthen and build the label’s profile as these resorts are visited by an international clientele,” she says. “When you go away to paradise destinations, you’re tanned and super-healthy so you feel much better about yourself. You’re in a much better mood to shop.”

www.isledefrance.com
www.kanuhura.com
www.aubergeresorts.com
www.beachcomberhotels.com
www.oneandonlyresorts.com
www.kuoni.com
www.hualalairesort.com
www.issalondon.com

………………………….

The designer experience

While some designers dip into resort retail by designing exclusive collections, other brands take a more comprehensive approach, writes Alex Coles. Visit Cape Town for the FIFA World Cup in 2010, for instance, and you can spend your stay at the new Missoni hotel, where the trademark prints of designer Rosita Missoni dominate the interior. If Bulgari is more your style, then a trip to their Bali hotel will provide a backdrop of Italian style fused with Balinese leitmotifs. At the Versace chain of hotels the designer influence is so strong even the linen, rugs and cutlery are branded.

For a full-on Armani experience, the Giorgio Armani spa, located in the sleek Armani Ginza Tower in Tokyo, cannot be beaten. Its luxury treatments include the three-hour “Armani Ceremony” which promises to purify and regenerate the skin. And, should you feel the need for some shopping after your treatment, a ride in the lift to the fourth floor will transport you effortlessly to the Armani men’s store.

Other brands have opted for a more enigmatic style. Take the Hotel Lungarno in Florence. It may not have an obvious brand association but spend a night there and the designer influences – carefully sewn detailing on the leather wardrobe handles for instance – are all apparent. Dig deeper and you discover the hotel is run by Lungarno Alberghi, a management company run by the Ferragamo family.

Subtler still is Oasi Zegna, Ermenegildo Zegna’s branding-free eco-tourist retreat in north Piedmont. It offers activities such as mountain bike riding, rock climbing, skiing, and hiking – all to be undertaken, should you so desire, in Zegna’s eco-friendly Oasi cashmere collection developed in the local Zegna factory.

 

A new meaning for hotel’s walls

24 Dec

In Paris, a Louvre in the Hotel Lobby

http://travel.nytimes.com/2009/12/20/travel/20cultured.html?ref=travel

Works by the photographer Natacha Lesueur are featured in a suite at the Hôtel Particulier Montmartre.

AS a crisp fall evening settled over the hillsides of the Montmartre district, stylish groups made their way up Avenue Junot for the opening of a photography show called “Lost Highway.”

Antonella Di Pietro, a top executive in the Kenzo fashion house, popped in with a black-clad entourage and was greeted by the show’s organizer, the noted interior designer and art patron Morgane Rousseau. Sipping wine at an open bar, the novelist Basile Panurgias and a friend mused over grainy black-and-white shots of nocturnal Tokyo by the photographer Chantal Stoman. Upstairs, other visitors watched experimental videos — disembodied hands passing household objects — created by the artist Jean-Claude Ruggirello.

The scene was redolent of many of the openings that light up the Paris galleries each week. Only this wasn’t a gallery. It was Hôtel Particulier Montmartre, a two-year-old boutique hotel in a 19th-century town house. Somewhere in the five suites, presumably, there were guests performing activities unrelated to art — sprawling on beds, taking showers, watching television.

While Paris has long been celebrated for both its arts scene and its stylish places to stay, the two worlds have only occasionally rubbed shoulders. But the last two years have seen a remarkable cross-pollination of creativity and hospitality, leading to a host of new hotels that blur the line between exhibition space and crash pad.

Some, like the high-design Le Six, are using their lobbies to host rotating exhibitions. Others, like the majestic Beaux-Arts Hôtel Banke, are decorating their common areas with permanent displays. (Starting in 2010, the hotel plans to install an Indiana Jones-worthy collection of ancient art and antiquities from Egypt, pre-Columbian Latin America and other civilizations.) Still others have commissioned noted artists to create the décor for their rooms.

At Hôtel Particulier Montmartre, owned by Ms. Rousseau, you can scarcely open your suitcase without knocking over the work of a top-notch contemporary artist. Ring for the elevator in the lobby, and you’ll find yourself next to a wildly fragmented, color-soaked painting of a Medusa-like woman by Robert Combas. Slip into the suite called “Vitrine” (“Display Window”), and you’ll find an interactive conceit — a display case where guests leave personal objects on display as art — imagined by Philippe Mayaux, a past winner ofFrance’s highly prestigious Marcel Duchamp prize.

Even the lushly landscaped grounds are the work of a master: Louis Benech, who renovated the Tuileries gardens.

Many of the new art hotels are springing up in the Boulevard Montparnasse area on the Left Bank. During the 1920s, you might have found Picasso drinking at the Café Select, Ferdinand Leger painting in the La Ruche studio complex or Man Ray holing up at the Hôtel Istria. Today, the small lanes around Place Pablo Picasso — famous for Rodin’s statue of Balzac — hide newfangled art havens like the Hôtel des Académies et des Arts.

Its pedigree is impressive. According to Henry Mona, the hotel’s director, the building once housed the studio of the celebrated Japanese painter Tsuguharu Foujita, a friend and colleague of Picasso and Man Ray, and the street was at one time home to Modigliani.

Paying tribute to the spirit of the avant-garde, the hotel hired the French urban artist Jérôme Mesnager, who has gained fame for painting his signature “white bodies” — sinewy humanoid forms — on city walls from Togo to Tokyo, including the Great Wall of China and Red Square in Moscow.

Mr. Mesnager has installed the spectral creatures in each of the boutique hotel’s 20 rooms, on the building’s facade, in the courtyard, on the wall of the lobby (chock full of books about Montparnasse’s artistic heyday) and even the elevator shaft (visible through a glass wall in the elevator).

“They’re the hotel’s permanent guests,” Mr. Mona joked.

Bibliophiles, meanwhile, tend to head around the corner to the book-themed Apostrophe Hôtel, which has summoned artists to help it pay homage to Montparnasse’s rich past as a haven for writers like Ernest Hemingway and Henry Miller, explained the owner, Isabelle Lozano.

TO find it, look for the facade painted with shadowy black boughs and dark leaves. They’re the work of Catherine Feff, a French artist noted for covering Parisian monuments — the Church of the Madeleine, the Arc de Triomphe — with enormous sheets bearing expertly rendered trompe l’oeil scenes.

Within, the artist and photographer Sandrine Alouf (she prefers the term “atmospherist”) has lent a fun and kitsch touch to the hotel’s 16 rooms, each of which has unique décor that corresponds to its theme.

The “Urban Writing” room, for example, is a tribute to graffiti that contains a vast panel depicting spray-painted characters and subway-style tags — a transposition of a photo Ms. Alouf took in New York City. In the room called “Reading,” a photo of the pages of a rolled-up book has been enlarged into an abstract wall-size decoration that suggests the whorls of a seashell.

“We wanted to create something literary, but not too intellectual,” said Ms. Lozano. “You don’t need a Ph.D. to sleep here.” You might soon need a bestseller, however, to fit in. Authors like Gayle Forman and Erri de Luca have already passed through.

An even more extravagant commission came to Ms. Alouf from Five Hôtel, which last year decided to build a luxury suite devoted to a particularly intimate form of art — the art of love.

“We asked her: ‘Create the Seventh Heaven,’ ” said Karine Tournois, the hotel director. “A room about sensations, escapades, adventures, that’s even a bit erotic.”

The result was “One by the Five,” a roughly 500-square-foot apartment in a building just across the quiet street from the main hotel in the Fifth Arrondissement. Its marquee feature is the bedroom — naturally. Somewhere between stunning and kitsch, the entire ceiling and carpet of the large room are embossed with images of blue sky and wispy clouds. Between them, the massive white bed appears to float.

The romantic ambience can be heightened by using the room’s preprogrammed iPod, which comes stocked with songs by Edith Piaf among others, and dials that control the color and intensity of tiny star-like lights implanted in the ceiling and floor. The room also features a flat-screen TV. Entertainment comes courtesy of a small Webcam just above it.

“In other hotels you can admire yourself in the mirrors when you make love,” explained Ms. Tournois. “Here you can watch yourself on the big screen.”

To judge by the gushing comments in the guest book, Ms. Alouf has succeeded in her creative tribute to eros.

“Wow! The perfect honeymoon room!” wrote a couple identified as Michael and Mikaela. “We’ve slept in Heaven and partied in Hell!”

IF YOU GO

Hôtel Particulier Montmartre, 23, avenue Junot, 75018; (33-1) 5341-8140;www.hotel-particulier-montmartre.com; doubles in December from 390 euros, or about $565 at $1.45 to the euro.

Le Six, 14, rue Stanislas, 75006; (33-1) 4222-0075; www.hotel-le-six.com; doubles from 300 euros.

Hôtel Banke, 20, rue La Fayette, 75009; (33-1) 5533-2222; www.derbyhotels.com; doubles from 225 euros.

Hôtel des Académies et des Arts, 15, rue de la Grande Chaumiere, 75006; (33-1) 4326-6644; www.hotel-des-academies.com; doubles from 189 euros.

Apostrophe Hôtel, 3, rue de Chevreuse, 75006; (33-1) 5654-3131; www.apostrophe-hotel.com; doubles from 162 euros.

Five Hôtel, 3, Rue Flatters, 75005; (33-1) 4331-7421; www.thefivehotel.com; doubles from 129 euros. The “One by the Five” suite (www.onebythefive.com) is 960 euros.

The next big thing

12 Dec

Restaurant of the Future?

A new model is changing the dining landscape across the country. The rise of small plates, big bars and hotel restaurants.

KATY MCLAUGHLIN

The Bazaar by José Andrés, a Beverly Hills, Calif., bar and restaurant, cost more than $12 million to build. It serves no appetizers or entrees: All meals are made up of tapas, and signature items include drinks and canapés dipped in vats of liquid nitrogen. First-time visitors might wander the ground floor of the SLS Hotel looking for the restaurant—and not realize that they are already standing in it. A palm-reader roams the floor, offering predictions.

This restaurant—packed at a time when many others are discounting or closing their doors—may be the future of fine dining.

A tapas-style menu, a hotel location and a major focus on the bar scene are hallmarks of restaurants around the country that are best surviving the economic turmoil of the past year. These components are also likely to be the defining traits of the next generation of high-end restaurants, say many leading restaurateurs, and are already being deployed in cities across the country.

Since opening a little over a year ago, the Bazaar has grossed $13 million, says Sam Nazarian, the chief executive of SBE Entertainment Group, the hospitality company that owns the restaurant and the SLS Hotel. Only 50 restaurants in the country grossed more last year, according to data from Restaurant & Institutions, a trade publication. That makes the restaurant a bright spot for Mr. Nazarian, whose company has recently made significant investments in hotels, several of which carry large debt loads, only to face a steep downturn in the luxury hotel business.

Prime-time reservations in the 417-seat restaurant are hard to land, and Natalie Portman and Salma Hayek are regulars, the restaurant says. David Beckham was there on a recent Sunday night. (Representatives for the celebrities declined to comment or didn’t respond to requests for comment.) Mr. Andrés, the chef, was recently chosen as one of GQ Magazine’s Men of the Year.

Meanwhile, the $8 billion fine-dining business—the category of meals costing $70 and up—has been the hardest-hit sector of the struggling restaurant industry. Nearly every city has lost one of its most famous restaurants in the past two years, from the Striped Bass and Susanna Foo in Philadelphia to D’Amico Cucina in Minneapolis to Boston’s Icarus and New York’s Chanterelle.

In this atmosphere, “a hundred percent of people told us this was crazy before we started,” Mr. Nazarian says. The restaurant is a collection of spaces, with kitchens, tables and lounge chairs spread over 12,500 square feet. A large, dark bar anchoring the space is flanked by two dining areas—one decorated in white, the other in black with red accents—and a pastel-accented dessert area, called the Patisserie. The bar area gets so packed that the ho

tel sometimes puts up a velvet rope at the entrance to the Bazaar to control the crowd.

The menu is Spanish, divided into dishes that are traditional and “modern”—the unusual creations of Mr. Andrés, who in his youth cooked at Spain’s El Bulli, where chef Ferran Adrià pioneered the field of molecular gastronomy. A mobile cart of liquid nitrogen wheels up to tables that order a $20 Brazilian cocktail, which is dipped and instantly frozen in the steaming brew. Another cart offers “Cotton Candy Foie Gras,” a block of rich paté that a waiter twirls in spun sugar. A third cart serves “caviar cones,” fish eggs served in paper-thin pastry cones. The average check at the Bazaar is $96.44 a person.

Here are some of the strategies behind the Bazaar’s success, and a forecast of how they might shape the fine-dining landscape in the near future.

Snacks Replace the Meal

THE BAZAAR: Serves only tapas, or small plates, which can be ordered a la carte or as part of a multicourse menu.

THE FUTURE? Small-plates restaurants have been growing throughout the decade, but in the past year have made a quantum leap in popularity as restaurateurs look for ways to offer customers cheaper food without appearing to discount.

In November, New York’s Tabla restaurant, from restaurateur Danny Meyer, scrapped its mandatory $89 tasting menu in favor of an a la carte menu with many small plates. Popular new small-plates restaurants from top chefs around the country range from Michelle Bernstein’s Sra. Martinez in Miami to Ginger Park, with chef Patricia Yeo, in Boston to Samar by Stephan Pyles in Dallas. Over the past four years, Philadelphia chef Jose Garces has built a small empire of five small-plates restaurants and plans to open three more next year.

The small-plates format is a clever way around consumers’ psychological barriers to restaurant spending. Consumer research shows that patrons order more when individual dishes are priced fairly low, and they don’t spend time adding up the costs. Especially while the economy is soft, many fine-dining restaurants will offer a small-plates menu, either as a bar menu or instead of a traditional menu.

OR A FAD? Tapas are a Spanish tradition but not all food works tapas-style, and some diners will be reluctant to give up the familiar appetizer-entrée-dessert approach to a nice dinner out.

It’s in a Hotel

THE BAZAAR: On the ground floor of the trendy SLS Hotel

THE FUTURE? Hotel restaurants have long been associated with mediocrity, but these days, hotels are among the only investors willing to bankroll big, splashy new restaurants. Restaurateurs say fine dining will largely migrate into hotels, resorts and some commercial developments in the coming years.

Some of the most notable restaurant openings in recent months have been in hotels, including Mr. Meyer’s Maialino, which opened in November at New York’s Gramercy Park Hotel. Chef David Chang, who rose to fame through his Momofuku restaurants, plans to open his first hotel restaurant, Má Pêche, in New York’s Chambers Hotel in the first quarter of next year. Wolfgang Puck’s company is in negotiations to open a restaurant at the Ritz Carlton in downtown Los Angeles.

Three years ago, restaurateur Stephen Starr raised $15 million to build Buddakan and $11 million for Morimoto, both non-hotel restaurants in New York. “Getting that kind of money today for restaurants is impossible. It’ll never happen in our lifetime again,” Mr. Starr says.

OR A FAD? Even marriages between stylish hotels and famous chefs can go wrong. British celebrity chef Gordon Ramsay recently transferred interests in his restaurants in Los Angeles and New York back to the hotels in which they are located, amid rocky performances. Jean-Georges Vongerichten, who has expanded aggressively in hotels around the world, recently separated from the Chambers Hotel in Minneapolis, which chose a local restaurateur, Richard D’Amico, to open a restaurant there instead.

The Bar Is the Focus

THE BAZAAR: The Bazaar’s Bar Centro is located in the middle of the restaurant. About 35% of the Bazaar’s gross sales are from alcohol, easily beating the 25% fine-dining industry standard.

THE FUTURE? All restaurants aspire to high alcohol sales, because the margins are better than on food sales. In the past, fine-dining restaurants relied mainly on selling wine for liquor revenue. But during the recession, many have gambled with their haute images and gotten more aggressive about selling cocktails and beer. Some have ripped out dining room tables to expand their bar areas, and many have launched bar menus. Even the famed New York restaurant Per Se rolled out a lounge menu where diners can order a la carte (the dining room is strictly prix fixe).

OR A FAD? An oversized bar area can strip a high-end restaurant of its classy image—and take the focus off a chef’s handiwork. “Turning into bars is a terrible thing for our industry,” says Joe Bastianich, partner with Mario Batali in 20 restaurants. Many restaurateurs will focus on boosting bar sales as a temporary survival strategy, until the economy picks up.

Rejecting Tradition

THE BAZAAR: With no white tablecloths in the main dining areas—once the ubiquitous symbol of fine dining—and some food served in tin cans, the restaurant keeps things casual, even though the average check is nearly $100.

THE FUTURE? White tablecloths are practically a relic. At City Center, the $8.5 billion Las Vegas development that started opening venues this month, only two restaurants out of 28 currently plan to use white linen. Most restaurateurs say that at least for the next two or three years, they will be opening more casual places.

OR A FAD? As restaurants increasingly go downscale, a handful of restaurateurs see an opportunity to grab the fine-dining spotlight. Mr. Bastianich has eliminated a casual side room off the expensive Del Posto restaurant in New York. The goal: To distinguish Del Posto as more luxurious and special. “It’s our couture line,” Mr. Bastianich says. High-profile openings for next year include Patina Restaurant Group’s restaurant slated for New York’s Lincoln Center, with chef Jonathan Benno, and Twist, a luxurious white-tablecloth restaurant opening at City Center. Of note: Both of these projects were planned well before the recession struck.

The Restaurant Is the Entertainment

THE BAZAAR: Mr. Nazarian first made his name in the hospitality business opening Los Angeles nightclubs, and a nightclub atmosphere permeates the restaurant. Theatrical touches include a palm reader on weekends and a velvet rope on nights when the bar is at capacity.

THE FUTURE? Mr. Chang predicts that in the future, more fine-dining chefs will replace waiters and serve the food themselves, as they do at his Momofuku Ko in New York. D’Amico Kitchen in Minneapolis splashes a live streamed video of the action inside its kitchen on an outside wall. Several restaurants, from Oliveto in Oakland, Calif., to L20 in Chicago, publish elaborate blogs about their ingredients and cooking.

OR A FAD? Restaurateurs see theatricality as increasingly important, but most say they are wary of crossing the line into a nightclub atmosphere. More restaurants will find ways to exploit the public’s interest in food culture with blogs, kitchen visits and face time with chefs, but few will go as far as the Bazaar does.

Wild Cuisine

THE BAZAAR: Half the menu belongs to the category of avant-garde cuisine, or molecular gastronomy, which uses advances in culinary science to create new flavors and textures. Mr. Andrés’s “olive oil bon bon,” for example, looks like a tiny glass sculpture but is in fact olive oil encased in solidified sugar; bite down and it bursts flavorfully in the mouth.

THE FUTURE? Avant-garde cuisine has transformed fine dining in Europe. American avant-garde chefs, from Grant Achatz of Chicago’s Alinea to Wylie Dufresne of WD-50 in New York, are heroes to many young chefs.

OR A FAD? Chefs and food writers have embraced molecular gastronomy as the future, but restaurant history is littered with failed avant-garde restaurants, from Atlanta’s Blais, which lasted six months, to La Broche in Miami, a short-lived outpost of the well-regarded Madrid restaurant.

Restaurateurs predict that molecular gastronomy will keep growing—in the future, every major city might have one place serving it—but that most restaurant fare will remain conventional.

The Open Floor Plan

THE BAZAAR: The restaurant is spread out over 12,500 square feet of hotel lobby, divided into two distinctly designed dining areas, a tasting room, a dessert area, a bar and lounge and a retail shop.

THE FUTURE? Fine-dining restaurants of the future will likely have free-flowing floor plans that are loosely divided into distinct areas, several restaurateurs say. The goal is to get diners to come back more often, offering them a different ambience each time. Many restaurants will eliminate separate private dining rooms, particularly in cities like New York and Los Angeles, where real estate is especially expensive. These rooms were built throughout the decade as corporate dinner parties boomed, but sat empty during a steep decline in corporate entertaining this past year.

OR A FAD? Once the economy bounces back and companies return to spending on dinners and entertainment, many restaurants will court their lucrative business aggressively and again offer private dining rooms.

http://online.wsj.com/article/SB10001424052748703558004574582381819140954.html?mod=dist_smartbrief

Follow

Get every new post delivered to your Inbox.