Tag Archives: Anna Wintour

Is there enough air in the room for both editors???

27 Jan

Yesterday in between couture shows, Anna Wintour, Carine Roitfeld, and Hamish Bowles sat down with French industry minister Christian Estrosi for a half hour meeting Wintour requested. She told Estrosi that France doesn’t do enough to support fashion and encouraged more support for young designers.

“She’s right,” Estrosi admitted during a press conference afterwards — for which Wintour wasn’t present. “Everyone knows the role Anna plays in making New York a great fashion capital. My objective was to benefit from her experience.”

Estrosi has plans for a state-owned bank to offer financing for fashion start-ups, with more details to come by the end of March; the state will act as loan guarantor. “I want Paris to remain the world’s capital of fashion. Today, we need people to share the risks.”

He also pledged to Wintour that he will relax the country’s 35-hour work week for fashion house employees who need to work twice that amount in the weeks leading up to the fashion shows.  And a master’s degree to help French students compete with peers who attend schools like Central St. Martins is being developed.

http://www.fashionologie.com/Anna-Wintour-Urges-France-Better-Support-Fashion-7180141#read-more

God save the Queen

24 Dec

Loic Prigent’s Habillees Videos Capture Anna Wintour Implying that Carine Roitfeld Should Better Support Young French Designers

During the Spring 2010 season, Loic Prigent, director of documentariesMarc Jacobs & Louis Vuitton, Signe Chanel, and The Day Before, and French TV personality Mademoiselle Agnes teamed up to film Habillees, chronicling the search for the next French design talent. The Sundance Channel uploaded the sixHabillees webisodes this week, and the hour’s worth of content features everyone from John Galliano taking his runway bow to Karl Lagerfeld waltzing to Nicholas Ghesquiere saying of his work: “Wearing Balenciaga is a choice. These clothes aren’t easy to wear. They’re not meant to be easy to wear.”

When Pierre Berge, former partner of Yves Saint Laurent and president of ANDAM, which annually bestows 160,000 euros to designers under 40 seeking to expand their businesses in France — most recently awarded were Giles Deacon for 2009 and Gareth Pugh for 2008 — was asked by Mademoiselle Agnes who the next big French talent is, he replied: “No one.”

But perhaps best of all are the scenes with Anna Wintour, who is shown exiting the Rochas show flanked by two bodyguards, one who brusquely nudges a woman out of the way.  Just after, as Anna descends a set of stairs, the other bodyguard turns a flashlight on her feet so she can walk without fear of tripping in her heels.  Later, Agnes catches up with Anna before the Balmain show to ask her how important she thinks it is to support young designers. Notice the subtle dig at Carine Roitfeld in Anna’s response:

I think it’s totally important for all of us in the American fashion industry to support the young designers, and I think that’s why New York’s become such a vibrant fashion center, because people go there not only to see the Donna Karans of the world but a whole new generation. I’m just so sorry that there isn’t something like that in Paris that’s similar. I think that they should look for the younger generation here [in Paris] as well. Not only New York but London really supports their young talent; Franca Sozzani at Italian Vogue supports the young Italian designers, and I think when France is so known for its fashion industry — for them not to be reaching out to help younger people today is really a shame. [Agnes: "And there's space in your pages for them."] There’s space in everybody’s pages.

Learning a new language

23 Nov

Style bloggers take centre stage

By Nicola Copping

It’s Milan fashion week and the seats for Dolce & Gabbana’s spring/summer 2010 ready-to-wear show for its D&G line are filling up with the industry’s most influential figures. On the front row, legs crossed, watching from behind customary dark glasses, sits Anna Wintour, celebrated editor of US Vogue magazine. One row back – a small step for man, a giant leap for fashionkind – is Burt Tansky, chief executive of US department store Neiman Marcus.

Also on the front row, nestled between the cashmere-draped shoulders of Sally Singer, US Vogue’s fashion news/features director, and Michael Roberts, Vanity Fair’s fashion and style director, sits a slender, less familiar figure dressed in grey T-shirt, jewelled necklace and tuxedo jacket. Meet Bryan Grey-Yambao, known as Bryanboy to the 215,000 unique users who visit his eponymous blog each day (British Vogue magazine, by comparison, sells just over 200,000 copies a month.)

From the small bedroom in Manila that he describes as “a cocoon”, Bryanboy, 23, has distilled his thoughts, on everything from models’ cellulite to Lady Gaga wearing Alexander McQueen’s latest designs, into a colourful and, for many, compulsive online diary that mixes chatty show commentary with blurred photos of himself in eccentric outfits and select snapshots of the exclusive world of fashion. One recent shot shows British Vogue editor Alexandra Shulman plonked on a concrete floor, legs outstretched, head in a good book as a fashion show refuses to start on time. Beneath the picture, Bryanboy writes: “I smiled when I found this photo. She looks so calm reading a book or, perhaps, her notes? ”

Staring at the lens of a camera trained on his front row seat, Bryanboy knows that his thoughts on the catwalk spectacle about to unfold in front of him will make it on to his website before any of his front row neighbours even make it to the next show. His up-to-the-minute commentary is why his readers log on. It is why the Italian designers Domenico Dolce and Stefano Gabbana invited him. Yet, as he sits squished between industry veterans, his expression seems to ask: “Should I really be here?”

The answer is, of course, yes: fashion bloggers, like the cool kids in school, have become a kind of elite band. Readers catching up with them in offices, bedrooms and internet cafés across the globe look to them for humour, catty criticisms and accessible entertainment that costs them nothing but the energy required to click mouse with forefinger.

Moreover, the best and most popular, such as the Sartorialist, Scott Schuman’s photographic chronicle of what the well-dressed person on the street is wearing (visited by 225,000 people a day), are viewed as tastemakers in much the same way as powerful style journalists such as Wintour and Suzy Menkes, fashion editor of the International Herald Tribune. Brands invite Schuman to consult for them. American Apparel, Net-a-Porter and Hogan advertise on the Sartorialist, and other websites, such as Condé Nast’s Style.com, host a pocket-sized version of his site.

“I speak to you as I speak to any of my other friends,” is how Schuman explains his appeal. “I’m not shackled by advertising or an editor. I shoot men on intuition and I shoot women on absolute experience; the quality of what I shoot is so strong that people really don’t have to ask why.” At one recent signing session for Schuman’s first book, also called The Sartorialist, fans waited in line at Liberty in London for four hours.

Full article:  http://www.ft.com/cms/s/2/89f8c07c-cfe0-11de-a36d-00144feabdc0.html

Management Training

4 Aug

TheStilettoEffectTheSeptemberIssue

Counting the hours to see how Anna Wintour get the best from her team without never raising the voice .

Visionary, creative, avant garde, funny and inspiring.

A management class or a fashion statement????

You tell me after……

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